10:48 pm - Tue, May 21, 2013
25,846 notes
9:55 pm
4,485 notes
teapartiesintherain:

Is that a dick


Damn that must be one big ring or a tiny dick

teapartiesintherain:

Is that a dick

Damn that must be one big ring or a tiny dick

(via hippy-lettuce)

11:38 pm - Mon, May 20, 2013
205 notes
6:38 pm - Sun, May 19, 2013
110 notes
viola-goes-to-hollywood:

Bill Hicks, Relentless, 1991


Meats?! When did beaches become food?

viola-goes-to-hollywood:

Bill Hicks, Relentless, 1991

Meats?! When did beaches become food?

(via billhicks)

6:37 pm
434 notes
6:35 pm
26,353 notes
karla-world:

lovee

karla-world:

lovee

(Source: ofjared, via dirrtyflowerchild)

3:37 pm - Sat, May 18, 2013
117,744 notes
hetare-hetalia:

supremepeniskingsam:

mythbusters went too far

im actually terrified of this

hetare-hetalia:

supremepeniskingsam:

mythbusters went too far

im actually terrified of this

(via fearless-vampirekiller)

3:30 pm
125 notes
jealousc:

are u fuckin kiddin me


You would have so much fun in the great depression both socially and when “your” Gatsby died.

jealousc:

are u fuckin kiddin me

You would have so much fun in the great depression both socially and when “your” Gatsby died.

(via raisedonblood)

4:19 pm - Thu, May 16, 2013
16,877 notes
8:46 pm - Wed, May 15, 2013
4,862 notes

(Source: lavalamps, via hippy-lettuce)

10:02 pm - Tue, May 14, 2013
85,813 notes
militantbyexistence:

vishual:

noseasboba:

I never get tired of this photo.
Ella Fitzgerald was not allowed to play at Mocambo because of her race. Then, one of Ella’s biggest fans made a telephone call that quite possibly changed the path of her career for good. Here, Ella tells the story of how Marilyn Monroe changed her life:
“I owe Marilyn Monroe a real debt… she personally called the owner of the Mocambo, and told him she wanted me booked immediately, and if he would do it, she would take a front table every night. She told him – and it was true, due to Marilyn’s superstar status – that the press would go wild. The owner said yes, and Marilyn was there, front table, every night. The press went overboard. After that, I never had to play a small jazz club again. She was an unusual woman – a little ahead of her times. And she didn’t know it.”

jesus christ this is so much better than all of the “you don’t have to be size zero!!!!!” and “i don’t mind living in a man’s world if i can be a woman!!!!!!!” bullshit related to marilyn monroe i see.

sisterhood yo….

militantbyexistence:

vishual:

noseasboba:

I never get tired of this photo.

Ella Fitzgerald was not allowed to play at Mocambo because of her race. Then, one of Ella’s biggest fans made a telephone call that quite possibly changed the path of her career for good. Here, Ella tells the story of how Marilyn Monroe changed her life:

“I owe Marilyn Monroe a real debt… she personally called the owner of the Mocambo, and told him she wanted me booked immediately, and if he would do it, she would take a front table every night. She told him – and it was true, due to Marilyn’s superstar status – that the press would go wild. The owner said yes, and Marilyn was there, front table, every night. The press went overboard. After that, I never had to play a small jazz club again. She was an unusual woman – a little ahead of her times. And she didn’t know it.”

jesus christ this is so much better than all of the “you don’t have to be size zero!!!!!” and “i don’t mind living in a man’s world if i can be a woman!!!!!!!” bullshit related to marilyn monroe i see.

sisterhood yo….

(via singing-in-the-sunshine)

11:29 pm - Mon, May 13, 2013
134,828 notes
love-thatfish:

resilientkate:

softgore:


“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted.  
Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”
This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.” 
This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”

this is why performance art is important


wow

love-thatfish:

resilientkate:

softgore:

“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted. 

Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”

This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.”

This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”

this is why performance art is important

wow

(Source: andrewfishman, via metalheadmariana)

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